The Components Of Oil Painting Reproductions
The art of painting has existed since time immemorial. Before the modern writing was introduced, ancient people would portray their massage through simple drawings or paintings on rocks, backs of trees and even the ground. This art has been perfected in the modern world with masterpiece paintings such as the Monalisa costing a fortune. Not all can afford this and oil painting reproductions has been introduced to cater for the demand.
A lot is put into consideration during the reproduction process. It is not possible to make the exact original copy as it is but a duplicate can be made such that it may be difficult to distinguish it from an original. Similarity is a key consideration. A duplicate should be able to portray every element portrayed by the original. Similar color, paint job, brushes and mode of painting have to be used.
The techniques used to come up with the original should also be the one used to make a duplicate of its own. Mechanical or any electronic device used is out of context in this procedure. One may consider making a photocopy and repainting it while making a duplicate but this is greatly discouraged as it does not promote art.
The same paint used on the original should be the type of paint used in reproducing the duplicate. Similar quality should be maintained. If the paint used to paint the Mona Lisa portrait for example is high premium grade oil paint, the same should be used in coating of the reproduction. This ensures similar authenticity is transferred to the duplicate and quality is upheld.
Oil paintings are done on special materials known as premium grade commercial canvas. A painter involved in reproduction may decide on cutting the cost incurred and opt on using a plain cloth which they stretch on a frame by use of glue or staples in place of canvas. This lowers the quality as the specified material is manufactured by experts of this field with the history of art work as well as with an aim of maintaining quality.
The size of a duplicate and an original design should exactly be similar. This not only makes it difficult to differentiate between the two but also ensure that every inch of paint job is done exactly as it is on an original. It also contributes in upholding standards when it comes to reproductions terms.
Making a duplicate does not mean that the painter has the go ahead for selling it or displaying it at art galleries yet. The art work has to go through a number of approvals. Photographs of the same are sent to the original creators for multiple strict quality control inspections. If it passes this stage, the painter is given a go ahead to display the art work or even put it up for sale.
Again the price of oil art painting reproductions varies a bit from those on original works. Pricing is crucial as duplicates should never at any point be sold at prices higher than the original since it is already someone else job redone. A painter has to publicly publish their prices on their respective communication channels.
A lot is put into consideration during the reproduction process. It is not possible to make the exact original copy as it is but a duplicate can be made such that it may be difficult to distinguish it from an original. Similarity is a key consideration. A duplicate should be able to portray every element portrayed by the original. Similar color, paint job, brushes and mode of painting have to be used.
The techniques used to come up with the original should also be the one used to make a duplicate of its own. Mechanical or any electronic device used is out of context in this procedure. One may consider making a photocopy and repainting it while making a duplicate but this is greatly discouraged as it does not promote art.
The same paint used on the original should be the type of paint used in reproducing the duplicate. Similar quality should be maintained. If the paint used to paint the Mona Lisa portrait for example is high premium grade oil paint, the same should be used in coating of the reproduction. This ensures similar authenticity is transferred to the duplicate and quality is upheld.
Oil paintings are done on special materials known as premium grade commercial canvas. A painter involved in reproduction may decide on cutting the cost incurred and opt on using a plain cloth which they stretch on a frame by use of glue or staples in place of canvas. This lowers the quality as the specified material is manufactured by experts of this field with the history of art work as well as with an aim of maintaining quality.
The size of a duplicate and an original design should exactly be similar. This not only makes it difficult to differentiate between the two but also ensure that every inch of paint job is done exactly as it is on an original. It also contributes in upholding standards when it comes to reproductions terms.
Making a duplicate does not mean that the painter has the go ahead for selling it or displaying it at art galleries yet. The art work has to go through a number of approvals. Photographs of the same are sent to the original creators for multiple strict quality control inspections. If it passes this stage, the painter is given a go ahead to display the art work or even put it up for sale.
Again the price of oil art painting reproductions varies a bit from those on original works. Pricing is crucial as duplicates should never at any point be sold at prices higher than the original since it is already someone else job redone. A painter has to publicly publish their prices on their respective communication channels.
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